"Choreographer Susan Stroman has come up with routines that are both explosive and witty, transporting the dazzled viewer into a kind of tap-dancing paradise."

in "Daily Telegraph" by Charles Spencer

"Duets, full company numbers, showstoppers with big finishes on top of big finishes - Stroman took everyone and everything on stage and turned it all into a series of reminders of what dancing is capable of in musicals."

in "Show Music" by Eric Grode

"… be marked as the show that added a new name, Susan Stroman, to the shrivelled roster of choreographers who can get Broadway moving again."

in "Newsday" by Linda Winer

"Short of George Balanchine's 'Who Cares?' at the New York City Ballet, I have not seen a more imaginative choreographic response to Gershwin onstage."

in "The New York Times" by Frank Rich"

"Dancing this inventive or exhilarating hasn't been seen in London for decades... Sends one spinning out of the theatre."

in "Time Out" by Jane Edwards